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Night Shift

by Massimo Carozzi

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    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Night Shift, Does the world need another drum solo?, Aphasia, Constant Yearning, Ultra Heaven, 岩石考 -yOrUkOrU-, Telling the Bones, Mramorje, and 27 more. , and , .

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1.
Echelon 07:52
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2.
Oktogon I 03:31
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3.
Wry 04:50
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4.
Southern Line 07:46
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5.
Oktogon II 03:44
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6.
Lies, December 6 2015 03:40
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about

Massimo Carozzi is a sound recordist, sound designer and musician based in Bologna, Italy.

Since 1994 he has looked into relations between sound and image, sound and script, sound and literature, sound and space. Massimo Carozzi has created sound design for theatre, documentaries, short films, installations. As a musician he collaborated both in studio and on stage with various musicians and sound artists such as Andrea Belfi, Stefano Pilia, Margareth Kammerer, Valerio Tricoli, Claudio Rocchetti, Luciano Maggiore, Sinistri, 3/4HadBeenEliminated, Starfuckers.

In September 2000 he founded the group ZimmerFrei whose artistic practice ranges from video art to documentary films, sound and environmental installations, as well as photography, performances, workshops and public art projects. www.zimmerfrei.co.it

Night Shift is the new studio album by Massimo Carozzi, mastered by Giuseppe Ielasi. A six-track LP of experimental electronics, ranging from field recordings, generative patches and digital sources.

RIYL: Moebius, Plank and Neumeier; Berio; Maderna; Posseur; Ligeti; Microstoria (Popp and St. Werner)

credits

released September 26, 2019

Produced, recorded and mixed by Massimo Carozzi at ZimmerFrei Studio

Performed by
Massimo Carozzi - analog step sequencer, oscillators, texture synthesizer, resonator, field recordings, samples
Vittoria Burattini - drums on Echelon and Oktogon I
Manuele Giannini - guitar on Oktogon II
Dominique Vaccaro - tapes and electric guitar on Lies, December 6 2015
Drums recorded by Bruno Germano at Vacuum Studio

Mastered by Giuseppe Ielasi
Cover image “Massalombarda , 24.12.2017” by Marcello Galvani, 2017

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